In a world being redefined by xenophobia and authoritarianism, reviewing books has seemed, well, frivolous of late. I read Italo Calvino’s If on a Winter’s Night a Traveler last month, but was distracted by Trump before I could start a review draft. I tore through Han Kang’s The Vegetarian a week ago, but got sidelined by protests before jotting down any notes. I inhaled Ruth Ware’s The Woman in Cabin 10 on Saturday, but a murder mystery at sea seems silly when staring down an IRL humanitarian crisis. And don’t even get me started on George Washington’s biography—the man once graciously returned a lost dog to a British general, in the middle of a war. Donald Trump’s broadsides feel pettier than usual after even a few pages with the original founding father.
Still, reading a book—preferably one set in a time/place/galaxy far, far, away—can be a welcome reprieve these days, and I really went into T.C. Boyle’s The Terranauts expecting to forget, for at least a few hours, about the particular brand of America we find ourselves in at the moment. I suppose, in some sense, the book did accomplish that: For a few beautiful hours, I disliked the characters in this novel almost as much as I dislike a certain newly minted leader of the free world. Continue reading
It’s a good time to read a gripping book: The weather is getting colder, the days are getting shorter, and it’ll be hard to maintain a decent library when climate change puts us all underwater. So here are a few page-turners that got me through the past week. Continue reading
Summer 2016 went by far too fast, distracted as we were by Donald Trump and the return of the bare midriff. But even though my ST updates this year have been lackluster at best—it’s my 2017 resolution, I swear—I did actually manage to finish some books this summer. So before the frost fully sets in, here are a few things I done read recently. Continue reading
If populating your novel with unlikable main characters can be considered a bold move, then Tony Tulathimutte is a downright badass. Cory, Linda, Will and Henrik—the four pseudo-friends at the center of Tulathimutte’s Private Citizens—are some of the least likable contributions to fiction that I’ve ever come across.
Tulathimutte’s first novel, PC is a quarter-life crisis saga blended with a send-up of Silicon Valley, specifically 2007 Silicon Valley, when the influx of tech capital was just starting to turn insidious. Cory is a disaffected nonprofit worker, on the front lines of the chasm between heady liberalism and tangible altruism, who can’t help but preach about the perils of [insert cause here] to her uninterested friends. Linda is a party girl turned addict, hamstrung in her life goals by an aggravating combination of pride and inertia. Will is a successful Asian computer programmer with a complex about being Asian and a computer programmer. And Henrik is a bumbling bipolar mess, vaguely tolerable only by virtue of how awful everyone else is. Continue reading
Generally speaking, I am loathe to give up on books. The same content loyalty that drove me to read all the Sookie Stackhouse novels and to watch Gossip Girl and Glee to their bitter conclusions means that it takes a real nightmare of a novel for me to throw in the towel.
But I have tried, and failed, three times to get invested in Garth Risk Hallberg’s City on Fire, a debut novel for which Hallberg received a $2 million advance. Set in 1970s New York City, COF follows an ensemble cast of characters whose lives serendipitously connect one New Year’s Eve. The novel careens forward and backward from that moment, detailing the first interactions of the various personalities—the young gay couple, the punk teenager and her doting best friend, the aging journalist and his gruff middle-aged subject—and how those interactions change and grow and are in many cases forever changed after that night. Also there’s an attempted murder. Continue reading
Good times were had.
A mere six months into my 30s, I find myself already looking back on college with the same abstract nostalgia one might apply to say…fax machines. Like, wasn’t that so neat at the time? How you could totally put a sheet of paper with stuff on it into a machine and then a machine somewhere else would, moments later, spit out an identical sheet of paper with identical stuff on it? That was cool. Good times were had. Documents were faxed. But now is better: We have email now. Cell phones. AirDrop. Dropbox. The cloud. And if all else fails, the NSA.
I loved college; I made some of my best friends there. College was the last time one could wear pajama pants in public, or don costumes for spontaneously invented themed drinking nights, or go for second helpings of frozen yogurt at no additional charge. But I also enjoy being an adult, and I know—in whatever corner of my brain isn’t penetrated by models and actresses and the implications of every movie and television show ever—that being young is for the birds. Being young is like fax machines: Wasn’t it neat when you could say “I’m going to hit up three different parties tonight” and then you would actually do it? That was cool. Good times were had. But now is better: Now it’s happy hour and then a good night’s sleep. Continue reading
Gone are the days when a Scientology exposé had the impact of a classified document dump—defections from the notoriously insulated religion now occur with all the frequency of Justin Bieber meltdowns. In 2013, Lawrence Wright’s Going Clear documented the experiences of several formerly high-ranking Scientology members; Alex Gibney’s HBO adaptation aired in March. Jenna Miscavige Hill, niece of Scientology leader David Miscavige, wrote a memoir about her time in the church, as have a half-dozen other former practitioners. The secrets of a church that claims its secrets are too mind-blowing for the average person to know have long since been revealed.
Still, Leah Remini’s Troublemaker: Surviving Hollywood and Scientology was highly anticipated. A member of the church for more than 30 years—she joined as a child after her mother started dating a Scientologist—Remini had long been a committed, if not hugely vocal, Scientologist. Her defection was a blow even for a church that knows a lot about bad press.
“Leah Remini has become what she once declared she never wanted to be known as: ‘this bitter ex-Scientologist,'” the church wrote in a statement about the book. “She needs to move on with her life instead of pathetically exploiting her former religion, her former friends and other celebrities for money and attention to appear relevant again.” Continue reading