The fact that His Bloody Project is (mostly) fictional is either the most or least important thing you could know about it, depending on how much you care.
Framed as a memoir written by an accused murderer, coupled with court transcripts and another associated documents related to the crime, HBP—down to its faux-bloody-fingerprinted cover—wants very badly to sell itself as a true-crime adventure, an In Cold Blood for fans of 1800s homicides committed in remote and sparsely populated Scottish enclaves. That the book is in fact a epistolary novel marauding as truth makes it all the more ambitious and, like its main character, all the more tricky to pin down.
Said main character is Roddy Macrae, who opens his lawyer-prescribed written statement, i.e. the book, with a fairly direct confession:
“My life has been short and of little consequences, and I have no wish to absolve myself of responsibility for the deeds which I have lately committed. [My advocate] has instructed me to set out, with as much clarity as possible, the circumstances surrounding the murder of Lachlan Mackenzie and the others, and this I will do to the best of my ability….I shall begin by saying that I carried out these acts with the sole purpose of delivering my father from the tribulations he has lately suffered.”
It’s a good time to read a gripping book: The weather is getting colder, the days are getting shorter, and it’ll be hard to maintain a decent library when climate change puts us all underwater. So here are a few page-turners that got me through the past week. Continue reading
Summer 2016 went by far too fast, distracted as we were by Donald Trump and the return of the bare midriff. But even though my ST updates this year have been lackluster at best—it’s my 2017 resolution, I swear—I did actually manage to finish some books this summer. So before the frost fully sets in, here are a few things I done read recently. Continue reading
I got my first taste of the apocalypse driving west on Route 50.
US-50 spans Maryland to California, and much of its Colorado/Nevada leg tracks I-70, one of several highways that have more or less rendered Route 50 obsolete. Sometimes they’re the same road, and sometimes I-70 is visible in the distance, its familiar green signage and rush of 18-wheelers a comforting talisman against the isolation of the elder thruway. But every so often the highway is miles off, and the visual lull of gas stations and rest stops give way to a different kind of lull: the thrum of tires on barely paved asphalt, the rush of breeze through open windows, vistas of untouched landscape in every direction.
Near Fruita, Colorado, Route 50 and I-70 part ways, and the former enters a stretch of near-total isolation (what I will come to know as one of many). The smooth surface of well-maintained blacktop gives over to worn, crumbling asphalt, and sometimes gravel. Lane lines fade and then disappear; desert shrubbery creeps in at the shoulders, threatening to overtake the pavement entirely. For 23 minutes, I didn’t see a single other car. Surrounded by mountains, vegetation, the mutterings of unseen wildlife, and one disintegrating road, it suddenly wasn’t hard to imagine a world in which people ceased to be, to imagine the planet reclaiming the land we colonized, bulldozing the evidence of humanity in the slow-motion manner of mother nature. It felt wrong, even, to be the only human thing, the only piece of civilization in sight. Like encroaching on someone else’s property, or stepping behind enemy lines. Continue reading
On paper, Emma Cline is the kind of girl I want to punch. A stylish waif with a successful middle-part and piercing blue eyes. The owner of a near-monochromatic wardrobe that’s both simple and defiant in its simplicity. The recipient of a $2 million advance, at the age of 25, for her first book (and two to come), the end result of a bidding war between 12 major publishers. The author of a debut novel whose film rights were snapped up by Scott Rudin before the manuscript even sold. Cline is living a charmed life, a romantic-comedy-set-in-Manhattan kind of life, an I-live-in-a-shed-for-the-novelty-of-it kind of life. I want to find her wherever she’s tapping away on her laptop at twee essays for vaunted literary magazines and punch her right below that middle-part.
There’s only one problem with this plan—several, if you count the unlikelihood of my finding her shed or her even still living in the shed, or my managing to punch anyone in the face, arguably unprovoked, without consequence. The problem is that The Girls, the novel loosely based on the Charles Manson murders, for which Cline received said $2 million advance, is actually quite good. Seamlessly, thoughtfully, annoyingly good. So good I want to punch her in the face anyway for it being so good. Continue reading
For a sport so culturally linked to stoners and burnouts, surfing requires a surprising amount of energy. Physical, to be sure—all that paddling and balancing and trying not to drown—but also intellectual, and perhaps emotional too. There are seemingly infinite permutations of reefs, winds, cloud-covers and currents to assess, and a truly passionate surfer’s life is inextricably linked to these permutations, to whether their combination on any given day means everything must be dropped, every obligation sidelined, in the interest of catching a few good waves.
For reasons that have to do mostly with my own lack of prowess at anything requiring corporeal exertion, sporting memoirs aren’t usually my jam. The intricacies of a physical activity (save, I guess, one) feel duly rendered to me as text, even though I know there are hundreds of books that arguably disprove this opinion. But as athletic-endeavor memoirs go, William Finnegan’s Barbarian Days made a pretty strong case for itself—it was on a bunch of “Best of 2015” lists last year, aaaannnd it won a Pulitzer. Continue reading